В Центральном музее связи имени А.С.Попова подготовлен курс лекций на тему: «Всемирный почтовый дизайн», рассказывающий об основных художественных стилях, таких как неоклассицизм, эклектика, модерн, Ар деко, функционализм-конструктивизм и других, повлиявших на оформление почтовых документов. Курс рассчитан на широкий круг посетителей. Лекции читает искусствовед, переводчик, член Международной ассоциации искусствоведов - Дьяченко Андрей Петрович.
Персоны Весь список
Искусство Весь список
КОМБИНИРОВАННЫЕ КАРТИНЫ (термин Дж. Раушенберга) – картины, которым придано объемное измерение за счет сочетания с объемными элементами, расположенными вблизи картины.
Чересчур современное искусство из Словении
MUSEUM OF TOO MODERN ART: wellcome!
The main participants of Too Modern Art are: Boštjan Plesničar, Oliver Marčeta, Grega Mastnak, Vladimir Leben and Ervin Potočnik. In 1989 they met at the Savo Sovre's Painting School and their understanding of art has already been different from dominant one, but they didn't name it yet. Later four young Slovene artists got acquainted with Josip Rochus Pongrac from Croatia and Filip Gregorowitz from Poland, who also became followers of too modern art idea.
When eminent gallery in 1998 returned pictures to Oliver Marčeta, with explanation that his work is too modern, was the right moment for action. Marčeta informed Boštjan Plesničar about the unpleasant event. Both were disappointed and the idea of too modern art was born.
Gradually the idea has grown in an autonomous theoretical concept. The characteristic idiom of this concept would be:"PUT TOGETHER INCOMPATIBLE ELEMENTS IN THE MANNER OF SHOCKING".
THE RIGHT IDEA IN THE RIGHT MOMENT IS A GUIDING FORCE OF TOO MODERN ART.
The formal definition of too modern art can't exist, because every artist participates in his own manner and contributes to variety of the movement.
In 1999 Plesničar and Marčeta invited other too modern artists to join them. Although the number of too modern artists increased, they have stil declared themselves more as a movement then a formal group with a manifest.
Only too modern artist can recognize if there is any sign of too modern art in work of another artist. This is the way how The Museum of Too Modern Art acquires new art pieces and new followers. Every member has his own territory and his membership cart. We already know what parts of the world own Plesničar and Marčeta. Austria is assigned to Filip Gregorowitz, who tells funny stories about frogs. Josip Rockus Pongrac got Vatikan as a reward for the most colourful painting of crucifixion. At first Grega Mastnak got Afrika, but after he had had discipline problems, other members took Afrika away and gave him Kanada. He also won Kilimanjaro. Vladimir Leben, a master for plush toys and precise work, got all luna parks" and license to sell a sugar foam.
Sankt Petersburg was a next station for too modern art, in year 2000. In September 2001 a leadership of Too Modern Art Museum made a decision about the first common appearance of too modern artists in Gallery Alcatraz in Ljubljana. On 1April 2002 the museum members made pact with swallows and museum could start with further activities.
Too modern artists are already planning new exhibition, which will be a following event during Check Olimpiade in October 2002. The common point won't be only a check, too modern artists and check players will also play golf together.
Too modern young artist claim their place in art and fine arts profession will have to recognize and accept their uniqe existence and contribution to art.
MUZEJ PREMODERNE UMETNOSTI (MUSEUM OF TOO MODERN ART)
Odpro: sreda, sobota, nedelja od 10.00 do 20.00 /
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